Fig 1. Metropolis Poster
Metropolis is
undoubtedly one of the most iconic films in history being one of the
first films to put to use many interesting camera effects that hadn’t
before been seen and using hundreds of models on the large sets to
give people the impression of a busy and bustling city. The movie
itself took over a year to film due to the need to get authentic
looking shots and because of Fritz Lang’s high expectations of the
actors.
Fig 2. Freder in the Garden
The
storyline of this movie is one that has been seen repeated throughout
the decades since its release. It is essentially the story of two
opposing factions who are bought together through the love of one
person of each faction. In this case we have the story told using a
Marxist theme and the two factions being the upper class and the
workers who are slaves for them. From the upper class however we
have Freder who falls in love with a teacher who is a part of the
working class called Maria. (C.Smithey) ‘Freder goes
searching for Maria only to discover the inhuman working conditions
in the city’s giant underground boiler room. He witnesses an
explosion that kills many workers and watches as many more are
systematically murdered. Freder reports back to his father, who in
turn questions Rotwang, the mad inventor responsible for creating the
city’s colossal power-driving machine. In a crucial subplot,
Rotwang is busy creating a machine-human incarnation of Freder’s
mother who, coincidentally looks exactly like Maria.’ The movie
progresses and we see the robot Maria sowing seeds of havoc among
both the upper class and the workers, convincing the workers that
they should destroy the machines and making the upperclass fight each
other for her affections. Eventually there is a revolution that is
thwarted by the real Maria, Freder and a friend of his called
Josaphat.
Fig 3. Tower of Babel
The city that the film
is titled for was made using a combination of drawings and models,
most of the background art being drawings and everything in the
foreground and everything that moves being miniature models that were
made for the masterpiece. Actors were transposed onto these sets
using a technique called the Schüfftan process which involved using
mirrors. (A. Quinn) ‘Its tale of two cities – one for the rich
and leisured classes, the other an underground community of anonymous
slave labour – is a nightmarish projection of humanity forced to
operate as machines, a fate which a hero (Gustav Frolich) and heroine
(Brigitte Helm) must strive to avert.’ This of course means
that the shining metropolis has a sister city, an underground city
below it which is home to the workers that slave away to keep the
metropolis running and working. The set design for the underground
city was much darker and clustered, making you feel trapped and
repressed.
Fig 4. Flooding Worker's City
Metropolis has
been a huge influence on modern movies and you can see its themes
reflected in many classics particularly those involving futuristic
cities, repression and mad scientists. (D. Jardine) ‘Set around
the apocalyptic year of 2000, Metropolis has had a seminal influence
on science fiction and futuristic movies as diverse as The Bride of
Frankenstein, Blade Runner, and Dark City.’ When I watched
Metropolis I instantly saw where C-3PO, one of the most iconic
Star Wars robots, was spawned from and I saw aspects of every
single Indiana Jones movie when the workers district was
flooding and there was a sense of urgency will they save everyone in
time or won’t they? I also found I could see Corusant, a city
planet
from Star Wars, reflected in the over city down to the bustling and business of everything.
from Star Wars, reflected in the over city down to the bustling and business of everything.
All in all the film was
enjoyable to watch with action and suspense that we see reflected in
cinema to this day. Cleverly made with literally thousands of people
acting in it the film was an amazing feat of cinema in 1927 which
took over a year to make and despite the lost footage its story and
ideas are still an inspiration today.
Bibliography
Smithey, C. (Unknown).
Cole Smithey.
http://www.colesmithey.com/capsules/2014/04/metropolis.html
Quinn, A. (2010).
Independant.
http://www.independent.co.uk/arts-entertainment/films/reviews/metropolis-pg-2075116.html
Jardine, D. (2010).
Slant Magazine.
http://djardine.blogspot.co.uk/2010/07/metropolis-germany-1927-fritz-lang-set.html
Images
Lang, F. Fig 1.
Metropolis Poster (1927)
http://images.posterjunction.com/Metropolis-movie-poster-1020433586.jpg
Accessed on 03/10/14
Lang, F. Fig 2. Freder
in the Garden (1927)
https://janeaustenrunsmylife.files.wordpress.com/2014/10/metropolis07.jpg
Accessed on 03/10/14
Lang, F. Fig 3. The
Tower of Babel (1927)
http://upload.wikimedia.org/wikipedia/en/2/28/Metropolis-new-tower-of-babel.png
Accessed on 03/10/14
Lang, F. Fig 4. Flooded
Workers City (1927)
http://i144.photobucket.com/albums/r180/Samwanda/BLOG%20%20Metropolis/Metropolis120.gif
Accessed on 03/10/14
Hi Brem,
ReplyDeleteThis is a thoughtful review - well done :)
Just a couple of pointers; when you reference the quote, the authors surname goes after the quote, along with the date, so for example,
‘Set around the apocalyptic year of 2000, Metropolis has had a seminal influence on science fiction and futuristic movies as diverse as The Bride of Frankenstein, Blade Runner, and Dark City.’ (Jardine, 2010)
Then in the bibliography, the names are listed in alphabetical order. Just double-check in the referencing guide, as to exactly what needs to be in italics in your bibliography and image list, here-
http://community.ucreative.ac.uk/Harvard-Referencing
You have also, for the most part, managed to keep the tone of the writing academic-sounding, by writing in the 3rd person rather than the 1st... just towards the end, you switch to using 'I'. Try and avoid this; for example you write,
'When I watched Metropolis I instantly saw where C-3PO, one of the most iconic Star Wars robots, was spawned from and I saw aspects of every single Indiana Jones movie when the workers district was flooding and there was a sense of urgency...'
'When the audience watches Metropolis, it becomes clear where C-3PO, one of the most iconic Star Wars robots, was spawned from and aspects of every single Indiana Jones movie can be recognised, for example when the workers district was flooding and there was a sense of urgency...'
Looking forward to reading your next review! :)